Your cart

Your cart is empty

Green Tara of Compassion: Museum-Quality Print

SKU: e10679b6-8ea5-4091-ba7a-4fada699f4de
Regular price $65.00
Unit price
per

This captivating artwork features Green Tara, the beloved Tibetan goddess of compassion and swift action, seated serenely amidst a lush garden of radiant flowers and vibrant colors. Her calming green form is adorned with intricate lotus blossoms, symbolizing purity and enlightenment. Surrounded by delicate birds, butterflies, and blooming flora, Green Tara appears as the essence of nurturing love and protection. The rainbow-colored, dotted background evokes cosmic harmony, enhancing the sacred and tranquil atmosphere of the piece. Ideal for those seeking a guardian of peace, courage, and compassion in their space, this print brings beauty and divine grace to any room.

Our master's edition, off-white, archival museum-quality paper, is uncoated and the superior choice for art enthusiasts who appreciate world-class quality to enjoy artworks most luxuriously.

Features: The 250 gsm/ 110lb paper is perfect for fine art, designed to last for years without losing its original beauty. Our matte paper is uncoated and natural white (off-white).

With alkaline papermaking technology, this print is acid-free, meaning the pH of the pulp that is used to form the paper is above 7 (neutral). The paper is also buffered with an alkaline reserve, such as calcium carbonate, to neutralize acid compounds absorbed from the atmosphere or formed through natural aging. This ensures that your print will last many years without any yellowing or discoloration.

Our print is free from or low in OBA (optical brightener additives). This ensures that the natural white color of the paper remains consistent under different lighting conditions. In contrast, the color of papers that contain optical brighteners can shift depending on the light source. Additionally, the color of OBA-free paper remains more consistent over time so that you can enjoy the print for years without any shifts.

We use FSC-certified paper or equivalent certifications depending on regional availability. It’s better for the people and the planet.

Each print is shipped in robust packaging, ensuring it arrives safe and secure. Paper sizes may vary slightly by region. For the US and Canada, the measurement is in inches, while for the rest of the world, it is in centimeters.

Frame not included.

Karma Phuntsok

About the Artist

Karma Phuntsok is a Tibetan artist; he is regarded as the father of contemporary Tibetan art. He fled Tibet with his family after the uprising against the Chinese in 1959, escaping into India as refugees. He studied drawing and painting through his school years in India. In 1973 Karma studied thanka painting with a master of traditional Tibetan thanka painting in Nepal. Since then, he has been making paintings based on Tibetan Buddhist deities.

In 1981 Karma migrated to Australia and now lives in the bush north of Kyogle with his wife and son.

Karma's paintings are collected worldwide and published in various books and magazines. His recent works are mostly experiments, interweaving traditional techniques and symbols, with modern inspirations.

Green Tara of Compassion: Museum-Quality Print

SKU: e10679b6-8ea5-4091-ba7a-4fada699f4de
Regular price $65.00
Unit price
per
FREE Shipping
Secure payment
Availability
 
(0 in cart)

You may also like

This captivating artwork features Green Tara, the beloved Tibetan goddess of compassion and swift action, seated serenely amidst a lush garden of radiant flowers and vibrant colors. Her calming green form is adorned with intricate lotus blossoms, symbolizing purity and enlightenment. Surrounded by delicate birds, butterflies, and blooming flora, Green Tara appears as the essence of nurturing love and protection. The rainbow-colored, dotted background evokes cosmic harmony, enhancing the sacred and tranquil atmosphere of the piece. Ideal for those seeking a guardian of peace, courage, and compassion in their space, this print brings beauty and divine grace to any room.

Our master's edition, off-white, archival museum-quality paper, is uncoated and the superior choice for art enthusiasts who appreciate world-class quality to enjoy artworks most luxuriously.

Features: The 250 gsm/ 110lb paper is perfect for fine art, designed to last for years without losing its original beauty. Our matte paper is uncoated and natural white (off-white).

With alkaline papermaking technology, this print is acid-free, meaning the pH of the pulp that is used to form the paper is above 7 (neutral). The paper is also buffered with an alkaline reserve, such as calcium carbonate, to neutralize acid compounds absorbed from the atmosphere or formed through natural aging. This ensures that your print will last many years without any yellowing or discoloration.

Our print is free from or low in OBA (optical brightener additives). This ensures that the natural white color of the paper remains consistent under different lighting conditions. In contrast, the color of papers that contain optical brighteners can shift depending on the light source. Additionally, the color of OBA-free paper remains more consistent over time so that you can enjoy the print for years without any shifts.

We use FSC-certified paper or equivalent certifications depending on regional availability. It’s better for the people and the planet.

Each print is shipped in robust packaging, ensuring it arrives safe and secure. Paper sizes may vary slightly by region. For the US and Canada, the measurement is in inches, while for the rest of the world, it is in centimeters.

Frame not included.

Karma Phuntsok

About the Artist

Karma Phuntsok is a Tibetan artist; he is regarded as the father of contemporary Tibetan art. He fled Tibet with his family after the uprising against the Chinese in 1959, escaping into India as refugees. He studied drawing and painting through his school years in India. In 1973 Karma studied thanka painting with a master of traditional Tibetan thanka painting in Nepal. Since then, he has been making paintings based on Tibetan Buddhist deities.

In 1981 Karma migrated to Australia and now lives in the bush north of Kyogle with his wife and son.

Karma's paintings are collected worldwide and published in various books and magazines. His recent works are mostly experiments, interweaving traditional techniques and symbols, with modern inspirations.